the public and private life of animals
originally published in 1842 the public and private life of animals is a book of animal centered fables. more than that though it was a vehicle for jj grandville’s renown illustration talents. born Jean Ignace Isidore Gérard, gradville began his career as a ferocious political cartoonist and caricaturist. he fought on the barricades during the revolution of 1830 which dethroned charles x, the last bourban king of the main line. during this period his cartoons appeared in le charivari and le caricature two of the most famous satirical journals of the time. in 1835 the journals he worked for were suppressed by the government of louis-philippe and grandville was forced to find another way of making a living. he chose book illustration and it is in this sphere his fame now rests.
quote from the 1977 english edition of the public and private life of animals:
in the public and private life of animals grandville finds another more traditional means of criticizing society and its effect on individuals. he makes use of the illustrated beast-fable, and applies his well-honed caricaturist’s gift to the combination of human and animal characteristics. the human and animal elements are so finely balanced that the animal disguise becomes a forceful expression of human foibles.
grandville’s original audience was prepared to accept what he did because the convention of the beast-fable was thoroughly familiar to them. it is one of the oldest narrative types, and goes back beyond aesop to be lost in the mists of prehistory. but a still more powerful inducement in getting the nineteenth-century french audience to accept the outrageously anti-naturalistic images grandville created was his own past history as a leading caricaturist. even in times when the demands of naturalism have been most insistent, caricature is allowed a special liberty. what was not permissible in “high art:” was perfectly acceptable if the material was presented as being in some way humorous or satirical. it is no accident that most of the leading fantastic illustrators of the mid-nineteenth century had a grounding in political caricature.
see below for some samples of grandville’s work from this beautiful book (click each for the full sized version.)










hope you enjoyed these, and with tales like the flight of a parisian bird in search of a better government, the sorrows of an old toad, the funeral oration of a silkworm, and the philosophic rat the readin in this book ain’t to shabby either. recommended!
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Thank you for the great drawing and the bigger popups! ;-)
posted by
orangeguru on 02/19 at 02:07 PM
“all animals are men more or less disguised and all men are animals more or less in disguise”.
So this is your own copy huh? Oooh…I’m a bit jealous. I’m disappointed the whole thing isn’t online. I see it was issued in 2 volumes (at french ebay).
Damn I’d love to have Grandville’s complete works. I’m coming to the conclusion that he is my favouritest illustrator. The Illustrated Garden have his fleurs animées and Les Métamorphoses du jour (1 or both).
I noticed in passing a comment to the effect that Disney’s legacy isn’t quite as singularly monumental when the antecedents are taken into account. Interesting.
Thanks very much for these!
posted by
peacay on 02/20 at 09:35 PM
Very neat. Thank you for those!
posted by
bluewyvern on 03/01 at 04:20 AM
Fabulous! I, too, am jealous that you own these wonderful books. How does he manage to render animals-as-people without being mawkish, as others who do the same so often are? I particularly like the scarab-magician under the bridge.
Many thanks.
posted by
dave on 03/11 at 05:21 PM
I have an original copy from the 18-19th cent. Book of the public and private lives of animals by J Granville. The book is Black cloth and its about 16in by 18in estimated. I was curious as to how much this would be appraised for. Thank you very much.
Justin
posted by .(JavaScript must be enabled to view this email address) on 09/15 at 12:21 AM
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