<?xml version="1.0" encoding="utf-8"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">

   <title type="text">the nonist annex</title>
    <subtitle type="text">the nonist annex:The Nonist, in delicious bite-sized portions.</subtitle>
    <link rel="alternate" type="text/html" href="http://thenonist.com/index.php/annex/index/" />
    <link rel="self" type="application/atom+xml" href="http://thenonist.com/index.php/annex/rss_atom/" />
    <updated>2008-08-31T17:12:36Z</updated>
    <rights>Copyright (c) 2008, jmorrison</rights>
    <generator uri="http://expressionengine.com/" version="1.4.1">ExpressionEngine</generator>
    <id>tag:thenonist.com,2008:08:31</id>


    <entry>
      <title>Heart XOXO</title>
      <link rel="alternate" type="text/html" href="http://thenonist.com/index.php/annex/permalink/heart_xoxo/" />
      <id>tag:thenonist.com,2008:index.php/annex/index/12.3782</id>
      <published>2008-08-31T17:10:00Z</published>
      <updated>2008-08-31T17:12:36Z</updated>
      <author>
            <name>jmorrison</name>
            <email>jmorriso@thenonist.com</email>
            <uri>http://www.thenonist.com</uri>      </author>

      <category term="annex"
        scheme="http://thenonist.com/index.php/annex/permalink/C63/"
        label="annex" />
      <content type="html"><![CDATA[<p><img src="http://thenonist.com/images/uploads/thenonistannex.jpg" width="500" height="413" />
</p> <p>5 years ago this month I began publishing The Nonist. It’s been a very gratifying stretch. I’ve come in contact with some terrific people. I’ve grown as a writer and completed a 10-ton truckload of illustrations. I’ve learned a lot. For the most part I’ve successfully distracted myself from the terrifying void at the center of human existence and had fun while doing it. After 5 years of diligently searching out or concocting content I managed to achieve a level of discipline I’d never managed before. For all this I am grateful to you. After all, it is in large part the knowledge that you, my readers, lurk out there like a shadowy star chamber which has kept me on the path and working so hard. It is the thrill and immediacy of being able to craft posts and share ideas with like-minded individuals which transforms a largely purposeless enterprise like (ad-free, non-topical, stubbornly eclectic) “blogging” into a pleasurable and addictive pursuit. Though it may sound counterintuitive, from my point of view it was not the content provider who in this case was the “pusher man” but you, the readership. Every week I’d tap my arm and say, “C’mon baby, I need it!” and there you were to indulge me. So thanks. 
</p>
<p>
That said, after some deliberation I have decided the time has come to retire The Nonist as a brand. Really and truly and finally. No crying wolf. No turning back. I feel an overwhelming need to move forward, start fresh, and as an old friend has said “allow for the possibility of change in my life.” In as much, from this point forward The Nonist, and its offshoots, will no longer be updated. I will no longer answer to the name on the street or while hunched on the last stool in a subterranean dive bar, but instead will stick with the more humble name which my parents gave to me, Jaime Morrison. 
</p>
<p>
The Nonist is dead. I, however, am not. So as for the future…
<br />
 
<br />
I intend on leaving the archives in place so all of you content providers out there who have linked in will not be penalized for your impeccable taste. I am already in the preliminary stages of mapping out a new online entity of some sort. It will be different, as I feel I’ve wrung all I can from the linear call-and-response blogging style, but what exactly it is and when it will be loosed I can’t yet say. I will also be perusing a couple “real world” projects having <i>nothing</i> to do with pixels. In the meantime I wish to let it be known that I am perfectly open to the idea of taking on outside projects in the service of others. If you are a content provider (of any sort, blogger, editor, designer, art director, etc) who has enjoyed my work here and feel you might have a project, be it writing, illustrating, or a collaboration of some kind which might appeal to me, please <a href="mailto:jmorriso@thenonist.com?subject=Inquiry">do not hesitate to contact me</a> and fill me in. I am free now and looking to get involved in new things. 
</p>
<p>
When I have a project going live or new outlet for my work that’s launching I will post an announcement here, so RSS subscribers- feel free to leave The Nonist in your feed reader. Alternately, if you would like me to drop you a line to announce my post-Nonist whereabouts just <a href="mailto:jmorriso@thenonist.com?subject=Mailing_List">click here</a> to email me and I’ll respond when a new project goes live. Lastly, though it’s hit-or-miss, my AIM screen name is jaimesmorrison. 
</p>
<p>
So, thanks again, <i>sincerely</i>, to you my readers and fellow bloggers. You’ve made these past 5 years a terrificly gratifying experience for me. I hope that when I resurface, wherever it may be, that you will see fit to come and visit me again. Until then I encourage you to print out the image above, fold it carefully, and place it in your purse or wallet, so if you happen upon me on the street you can positively ID me, and shout something like, “back to work you lousy sloth!” 
</p>
<p>
That or invite me out for a pint. Xoxo.
</p>]]></content></entry>

    <entry>
      <title>Hegel&apos;s Name</title>
      <link rel="alternate" type="text/html" href="http://thenonist.com/index.php/annex/permalink/hegels_name/" />
      <id>tag:thenonist.com,2008:index.php/annex/index/12.3779</id>
      <published>2008-08-15T13:29:00Z</published>
      <updated>2008-08-15T13:31:54Z</updated>
      <author>
            <name>jmorrison</name>
            <email>jmorriso@thenonist.com</email>
            <uri>http://www.thenonist.com</uri>      </author>

      <category term="annex"
        scheme="http://thenonist.com/index.php/annex/permalink/C63/"
        label="annex" />
      <content type="html"><![CDATA[<p><img src="http://thenonist.com/images/uploads/hgldth.jpg" width="500" height="500" />
</p> <div class="med"><span class="grey">Accountants hover over the earth like helicopters,
<br />
Dropping bits of paper engraved with Hegel&#8217;s name.
<br />
Badgers carry the papers on their fur
<br />
To their den, where the entire family dies in the night.</span></div>

<p>
-From <i>A Dream of Suffocation</i> by Robert Bly.
</p>]]></content></entry>

    <entry>
      <title>Gilgamesh for Apes</title>
      <link rel="alternate" type="text/html" href="http://thenonist.com/index.php/annex/permalink/gilgamesh_for_apes/" />
      <id>tag:thenonist.com,2008:index.php/annex/index/12.3778</id>
      <published>2008-08-14T14:51:00Z</published>
      <updated>2008-08-14T14:53:44Z</updated>
      <author>
            <name>jmorrison</name>
            <email>jmorriso@thenonist.com</email>
            <uri>http://www.thenonist.com</uri>      </author>

      <category term="annex"
        scheme="http://thenonist.com/index.php/annex/permalink/C63/"
        label="annex" />
      <content type="html"><![CDATA[<p><img src="http://thenonist.com/images/uploads/Gorillamesh.jpg" width="500" height="528" />
</p> <div class="blockquoteannex"><span class="quote">Quote: </span>The Sumerian epic of Gilgamesh is the oldest piece of literature known, but it has lost nothing of its original freshness. <i>Gilgamesh for Apes</i> is an attempt to translate it into the pictorial language used by American and Japanese primate centres teaching language to great apes.</div>

<p>
Its creator (Wilfried Hou Je Bek, of <a href="http://socialfiction.org/index.php">Socialfiction.org</a>, who previously brought us <a href="http://thenonist.com/index.php/annex/permalink/primate_poetics/">Primate Poetics</a>) notes that she does not know if an ape coming upon her translation would be able to make heads or tales of it, saying that, in terms of narratives, apes tend to glean most information from body language and in as much perhaps a stage play would better please an ape audience. In any case, it&#8217;s a fine idea, and I applaud the effort. Much more info available at the bottom of the <a href="http://socialfiction.org/gilgameshforapes.pdf"><i>Gilgamesh for Apes</i> pdf.</a>   
</p>]]></content></entry>

    <entry>
      <title>SCi-Fi Poetry</title>
      <link rel="alternate" type="text/html" href="http://thenonist.com/index.php/annex/permalink/sci_fi_poetry/" />
      <id>tag:thenonist.com,2008:index.php/annex/index/12.3777</id>
      <published>2008-08-13T22:30:00Z</published>
      <updated>2008-08-13T22:43:33Z</updated>
      <author>
            <name>jmorrison</name>
            <email>jmorriso@thenonist.com</email>
            <uri>http://www.thenonist.com</uri>      </author>

      <category term="annex"
        scheme="http://thenonist.com/index.php/annex/permalink/C63/"
        label="annex" />
      <content type="html"><![CDATA[<p><img src="http://thenonist.com/images/uploads/specpoetry.jpg" width="500" height="488" />
</p> <p>Though I am an avid science fiction reader, and fond of my dear girl poetry, the bastard child of the two remained unknown to me (as bastard children, and ultra sub-genres, seem prone to do) until I stumbled across some sci-fi poetry, or speculative poetry as it&#8217;s also called, by accident. I knew immediately an overwrought illustration and slapdash post were in order! One is above, the other below. Form your own conclusions. 
</p>
<p>
<span class="grey"><b>Infoetry:</b></span> <a href="http://www.sfpoetry.com/">The Science Fiction Poetry Association</a>, <a href="http://www.strangehorizons.com/2005/20050502/poetry-symposium1-a.shtml">Speculative Poetry Symposium</a>, <a href="http://www.magicdragon.com/UltimateSF/sfpo.html">Ultimate Science Fiction Poetry Guide</a>, <a href="http://www.sfwa.org/members/Elgin/SFPoetry.html">About Science Fiction Poetry</a>, <a href="http://www.associatedcontent.com/article/39440/writing_science_fiction_poetry.html?cat=10">Writing Science Fiction Poetry</a>, <a href="http://www.starshineandshadows.com/essays/2004-03-29.html">Dialogues by Starlight</a>, <a href="http://www.goblinmercantileexchange.com/?p=648">Notes on Speculative Poetry</a>, <a href="http://aural-innovations.com/issues/issue18/02_sneyd.html">Gnawing Medusa&#8217;s Flesh</a>, <a href="http://www.forteanbureau.com/sept2005/Sept_FB_Boston.html">The Failure of Genre Poetry</a>. 
</p>
<p>
<span class="grey"><b>Poetry:</b></span> <a href="http://www.strangehorizons.com/Archive.alt.pl?Dept=p">Strange Horizons</a>, <a href="http://www.authorsden.com/categories/poetry.asp?alpha=a&amp;catid=39">Author&#8217;s Den, A-Z</a>, <a href="http://endicottstudio.typepad.com/poetrylist/">Journal of Mythic Arts</a>, <a href="http://hometown.aol.com/bruboston/myhomepage/poetry.html">Bruce Boston</a>, <a href="http://writing.upenn.edu/pennsound/x/Joron.html">Andrew Joron (audio)</a>, <a href="http://www.cultureport.com/NEWHP/catalog/joron.html">The Removes</a>, <a href="http://www.scottspeck.com/writing/poetry/index_scifi.html">Scott Speck</a>, <a href="http://aural-innovations.com/robertcalvert/words/calvertwords.htm#poems">Robert Calvert</a>, <a href="http://www.electricvelocipede.com/htm/poetry.htm">Electric Velocipede</a>, <a href="http://www.goblinfruit.net/">Goblin Fruit</a>, <a href="http://literary.erictmarin.com/past.htm">Lone Star Stories</a>, <a href="http://www.geocities.com/Area51/Shadowlands/4464/">Whispering Worlds</a>, <a href="http://thepedestalmagazine.com/Secure/content/cb.asp?catid=467">The Pedistal</a>, <a href="http://63.64.44.120/index.pacq">New Myths</a>, <a href="http://www.ideomancer.com/main/ideoMain.htm">Ideomancer</a>, <a href="http://www.abyssandapex.com/">Abyss and Apex</a>, <a href="http://www.scifaiku.com/read/">Sci-Fi haiku</a>, and <a href="http://www.bluebell.fm/">Robot Folk Tales</a>.
</p>
<p>
And yes, I just coined a kick-ass new word. Hands-off! I&#8217;m selling it to <a href="http://www.edwardtufte.com/tufte/">Tufte</a>.
</p>]]></content></entry>

    <entry>
      <title>18th Century Blues</title>
      <link rel="alternate" type="text/html" href="http://thenonist.com/index.php/annex/permalink/18th_century_blues/" />
      <id>tag:thenonist.com,2008:index.php/annex/index/12.3776</id>
      <published>2008-08-12T20:05:00Z</published>
      <updated>2008-08-12T20:11:46Z</updated>
      <author>
            <name>jmorrison</name>
            <email>jmorriso@thenonist.com</email>
            <uri>http://www.thenonist.com</uri>      </author>

      <category term="annex"
        scheme="http://thenonist.com/index.php/annex/permalink/C63/"
        label="annex" />
      <content type="html"><![CDATA[<p><img src="http://thenonist.com/images/uploads/HogrthBthosadetail.jpg" width="500" height="526" />
</p> <div class="blockquoteannex"><span class="quote">Quote: </span>‘Depression’ was not a particularly common term in the eighteenth century, at least not in the modern psychological sense. Samuel Johnson in his famous <i>Dictionary of the English Language</i> (1755) has three definitions for the word, none of which is to do with <a href="http://en.wikipedia.org/wiki/Melancholia">mental dejection</a>. Only with the verb ‘to depress’ is one definition given as ‘to humble, to deject, to sink’. While ‘depression’ was sometimes used in its modern sense during the period, other terms were far more current, including <a href="http://www.wsu.edu/~rlblair/burton.html">melancholy</a>, hypochondria (and its popular versions, such as hippish), <a href="http://fleursdumal.org/poem/161">spleen</a>, <a href="http://books.google.com/books?id=h8kIAAAAQAAJ&amp;">vapours</a>, and a host of others, all expressing variants in terms of supposed cause and anticipated effect of the basic experience of ‘depression’.</div>

<p>
From the accompanying <a href="http://www.beforedepression.com/downloads/24%20page.pdf">pfd</a> for the show currently on view at Shipley gallery, <a href="http://www.beforedepression.com/Exibition.htm"><i>18th Century Blues</i></a>. The Image is, of course, a detail from Hogarth&#8217;s etching &#8220;The Bathos.&#8221;
</p>]]></content></entry>

    <entry>
      <title>Police State 2.0</title>
      <link rel="alternate" type="text/html" href="http://thenonist.com/index.php/annex/permalink/police_state_20/" />
      <id>tag:thenonist.com,2008:index.php/annex/index/12.3773</id>
      <published>2008-08-08T14:15:00Z</published>
      <updated>2008-08-08T16:37:55Z</updated>
      <author>
            <name>jmorrison</name>
            <email>jmorriso@thenonist.com</email>
            <uri>http://www.thenonist.com</uri>      </author>

      <category term="annex"
        scheme="http://thenonist.com/index.php/annex/permalink/C63/"
        label="annex" />
      <content type="html"><![CDATA[<p><img src="http://thenonist.com/images/uploads/Laodage.jpg" width="500" height="733" />
</p> <p>Recently New York officials announced a project that would allow citizens to view &#8220;live traffic conditions&#8221; via a slew cameras set up along roadways all throughout the city. The announcements on all the local news channels were so &#8220;gee-whiz! aren&#8217;t we all so lucky?!&#8221; in tone that I couldn&#8217;t help but envision the meetings which hatched the campaign, with city officials asking one another- &#8220;but how can we introduce the city-wide grid of near-omniscient security cameras without causing an outcry? How can we make these rubes actually <i>want</i> cameras everywhere?&#8221; It struck me that these traffic cams were almost certainly phase-1, the public relations leg let&#8217;s say, of <a href="http://thenonist.com/images/uploads/tapdat.jpg" onclick="window.open('http://thenonist.com/images/uploads/tapdat.jpg','popup','width=721,height=542,scrollbars=yes,resizable=yes,toolbar=no,directories=no,location=no,menubar=no,status=no,left=50,top=0'); return false">some larger plan</a>. Speaking of which&#8230;
</p>
<p>
Before we all shift our fat asses toward the couches&#8217; edge to watch the next batch of soon-to-be-revoked precious medals awarded in Beijing, have a read of these two pieces by Naomi Klein outlining the idea that these Olympics are &#8220;the coming out party for a disturbingly efficient way of organizing society, one that China has perfected over the past three decades, and is finally ready to show off.&#8221; 
</p>
<p>
<a href="http://www.naomiklein.org/articles/2008/08/olympics-unveiling-police-state-2-0">The Olympics: Unveiling Police State 2.0</a>, and <a href="http://www.rollingstone.com/politics/story/20797485/chinas_allseeing_eye/print">China&#8217;s All-Seeing Eye</a>. 
<br />
Interesting stuff. Now back to work!
</p>]]></content></entry>

    <entry>
      <title>Unmasking Banksy?</title>
      <link rel="alternate" type="text/html" href="http://thenonist.com/index.php/annex/permalink/unmasking_banksy/" />
      <id>tag:thenonist.com,2008:index.php/annex/index/12.3772</id>
      <published>2008-08-07T22:55:00Z</published>
      <updated>2008-08-07T22:59:04Z</updated>
      <author>
            <name>jmorrison</name>
            <email>jmorriso@thenonist.com</email>
            <uri>http://www.thenonist.com</uri>      </author>

      <category term="annex"
        scheme="http://thenonist.com/index.php/annex/permalink/C63/"
        label="annex" />
      <content type="html"><![CDATA[<p><img src="http://thenonist.com/images/uploads/bnksythumb.jpg" width="500" height="382" />
</p> <p>UK rag the Daily Mail has put up <a href="http://www.dailymail.co.uk/femail/article-1034538/Graffiti-artist-Banksy-unmasked---public-schoolboy-middle-class-suburbia.html">an expose</a> purporting to &#8220;unmask&#8221; graffiti phenom <a href="http://www.banksy.co.uk/">Banksy</a>. On the one hand it makes me cringe, it&#8217;s just so damned silly. But then, I suppose since Banksy&#8217;s chosen graffiti as has mode of expression, the whole &#8220;law breaker&#8221; aspect would warrant, in law enforcement circles at least, some genuine interest in his identity. I for one am happy to let him remain a shadowy figure with passable artistic skills, some good ideas, and a set of giant, often hilarious, balls. 
</p>
<p>
In his own words: <i>I have no interest in ever coming out. I figure there are enough self-opinionated assholes trying to get their ugly little faces in front of you as it is.</i> And: <i>I am unable to comment on who may or may not be Banksy, but anyone described as being &#8216;good at drawing&#8217; doesn&#8217;t sound like Banksy to me.</i> Hahah. Bravo.&nbsp;
</p>]]></content></entry>

    <entry>
      <title>The Bagdad Metro</title>
      <link rel="alternate" type="text/html" href="http://thenonist.com/index.php/annex/permalink/the_bagdad_metro/" />
      <id>tag:thenonist.com,2008:index.php/annex/index/12.3771</id>
      <published>2008-08-07T22:15:00Z</published>
      <updated>2008-08-07T22:25:49Z</updated>
      <author>
            <name>jmorrison</name>
            <email>jmorriso@thenonist.com</email>
            <uri>http://www.thenonist.com</uri>      </author>

      <category term="annex"
        scheme="http://thenonist.com/index.php/annex/permalink/C63/"
        label="annex" />
      <content type="html"><![CDATA[<p><img src="http://thenonist.com/images/uploads/bagddmetro.jpg" width="500" height="499" />
</p> <p>Here we have a detail of <a href="http://www.antiwar.com/orig/mcwilliams.php?articleid=3820">the Bagdad Metro</a>, work on which evidently began in 1983 but was stopped not long afterward when hostilities between Iraq and Iran heated-up. This is the same Bagdad subway which was famously cited by both Donald Rumsfeld and Colin Powell, during the <a href="http://www.technologyreview.com/Infotech/13122/page1/">run up</a> to the current war, as being part of the vast underground network of tunnels used to store WMDs. There were no WMD&#8217;s of course, and the subways we found? <a href="http://thenonist.com/images/uploads/bagddmetro2.jpg" onclick="window.open('http://thenonist.com/images/uploads/bagddmetro2.jpg','popup','width=620,height=473,scrollbars=no,resizable=yes,toolbar=no,directories=no,location=no,menubar=no,status=no,left=50,top=0'); return false">Ahem</a>. Evidently, hard as it may be to believe, the plan to build a metro is back on the table. I would have to assume they plan to rebuild the destinations before they bother with the subway. 
</p>
<p>
<a href="http://thenonist.com/images/uploads/bagddmetro.full.jpg" onclick="window.open('http://thenonist.com/images/uploads/bagddmetro.full.jpg','popup','width=1215,height=1073,scrollbars=yes,resizable=yes,toolbar=no,directories=no,location=no,menubar=no,status=no,left=50,top=0'); return false"/>Click here</a> to see the map, designed by Richard Dragun for Design Research London sometime in the early 80&#8217;s, in full. 
</p>
]]></content></entry>

    <entry>
      <title>Chambers V. God</title>
      <link rel="alternate" type="text/html" href="http://thenonist.com/index.php/annex/permalink/chambers_v_god/" />
      <id>tag:thenonist.com,2008:index.php/annex/index/12.3770</id>
      <published>2008-08-07T13:17:00Z</published>
      <updated>2008-08-07T22:28:20Z</updated>
      <author>
            <name>jmorrison</name>
            <email>jmorriso@thenonist.com</email>
            <uri>http://www.thenonist.com</uri>      </author>

      <category term="annex"
        scheme="http://thenonist.com/index.php/annex/permalink/C63/"
        label="annex" />
      <content type="html"><![CDATA[<p><img src="http://thenonist.com/images/uploads/chmbersvsgod.jpg" width="500" height="326" />
</p> <p>The <a href="http://friendlyatheist.com/2007/04/02/one-more-atheist-comes-out-in-public/">openly atheistic</a> Nebraska Senator Ernie Chambers, who <a href="http://en.wikinews.org/wiki/Nebraska_Senator_sues_God">filed suit</a> in <a href="http://blog.wired.com/27bstroke6/2007/09/nebraska-senato.html">2007</a> against &#8220;God&#8221; evidently had <a href="http://www.ketv.com/news/17099764/detail.html">his day in court</a> on Tuesday. He filed this suit to &#8220;make a point&#8221; obviously. Unfortunately that point was <i>not</i> &#8220;Since this God character can&#8217;t even be bothered to show up for his <i>own</i> court appearance, and shows no respect for the authority and laws of this great land, perhaps we ought to think twice about involving or invoking him in matters of legislative policy.&#8221; Here are the <a href="http://blog.wired.com/27bstroke6/files/chambersversusgod.pdf">papers filed (pdf)</a> in case you missed them.&nbsp;
</p>]]></content></entry>

    <entry>
      <title>Misunderstood</title>
      <link rel="alternate" type="text/html" href="http://thenonist.com/index.php/annex/permalink/misunderstood/" />
      <id>tag:thenonist.com,2008:index.php/annex/index/12.3769</id>
      <published>2008-08-06T19:41:00Z</published>
      <updated>2008-08-06T19:47:07Z</updated>
      <author>
            <name>jmorrison</name>
            <email>jmorriso@thenonist.com</email>
            <uri>http://www.thenonist.com</uri>      </author>

      <category term="annex"
        scheme="http://thenonist.com/index.php/annex/permalink/C63/"
        label="annex" />
      <content type="html"><![CDATA[<p><img src="http://thenonist.com/images/uploads/msundrstood.jpg" width="500" height="505" />
</p> <p>The kids could be cruel. He could see them, groaning at the sight of him, as he rolled up in the volvo. They were embarrassed they&#8217;d say. They&#8217;d call him weird and look away. His wife always seemed tired. She didn&#8217;t laugh at his jokes anymore. She often slept on the couch with the television on. Sure, she&#8217;d smile big for the family portrait, but in private, in the bedroom, things were strained. As with so <i>very many</i> husbands and fathers across this wide world of ours, it seemed that no matter how hard he tried, and no matter how much he wished it were otherwise, Wendell&#8217;s wife and children just didn&#8217;t &#8220;get&#8221; him. You know?
</p>]]></content></entry>

    <entry>
      <title>Neoyorquino Evan</title>
      <link rel="alternate" type="text/html" href="http://thenonist.com/index.php/annex/permalink/neoyorquino_evan/" />
      <id>tag:thenonist.com,2008:index.php/annex/index/12.3768</id>
      <published>2008-08-06T18:04:01Z</published>
      <updated>2008-08-06T18:17:38Z</updated>
      <author>
            <name>jmorrison</name>
            <email>jmorriso@thenonist.com</email>
            <uri>http://www.thenonist.com</uri>      </author>

      <category term="annex"
        scheme="http://thenonist.com/index.php/annex/permalink/C63/"
        label="annex" />
      <content type="html"><![CDATA[<p><img src="http://thenonist.com/images/uploads/neoyorquinoevan.jpg" width="500" height="652" />
</p> <p>Here we see reader, and fellow &#8220;neoyorquino,&#8221; Evan wearing the first Nonist T-Shirt ever sold, seated in front of a spanish-language version of the poster which inspired it. Cheers Evan, you are a scholar and a gentleman. As soon as I receive the $3 profit I made I will tape it on the wall above my desk like a proud deli owner. And to everyone else currently rocking <a href="http://thenonist.com/index.php/annex/categories/C64">a Nonist tee</a>- feel free to send a photo of it &#8220;in the wild&#8221; as it were.&nbsp; 
</p>]]></content></entry>

    <entry>
      <title>Convulsive Beauty</title>
      <link rel="alternate" type="text/html" href="http://thenonist.com/index.php/annex/permalink/cunvulsive_beaty/" />
      <id>tag:thenonist.com,2008:index.php/annex/index/12.3767</id>
      <published>2008-08-05T22:38:00Z</published>
      <updated>2008-08-05T23:20:20Z</updated>
      <author>
            <name>jmorrison</name>
            <email>jmorriso@thenonist.com</email>
            <uri>http://www.thenonist.com</uri>      </author>

      <category term="annex"
        scheme="http://thenonist.com/index.php/annex/permalink/C63/"
        label="annex" />
      <content type="html"><![CDATA[<p><img src="http://thenonist.com/images/uploads/evegtstomto.jpg" width="500" height="435" />
</p> <p>"Beauty will be convulsive or will not be at all.&#8221; -André Breton.
</p>
<p>
&#8220;Nature gives to every time and season some beauties of its own.&#8221; -Charles Dickens
</p>
<p>
<div class="big"><span class="grey">Hence: Nature gives to every time and season some convulsions of its own.</span></div>
</p>
<p>
(Image is titled <i>Eve Gets a Gene Altered Tomato</i> by <a href="http://www.davisanddavis.org/">Davis and Davis</a>, 1992.)
<br />

</p>]]></content></entry>

    <entry>
      <title>Beautiful Convulsions</title>
      <link rel="alternate" type="text/html" href="http://thenonist.com/index.php/annex/permalink/beautiful_convuslions/" />
      <id>tag:thenonist.com,2008:index.php/annex/index/12.3766</id>
      <published>2008-08-05T22:20:00Z</published>
      <updated>2008-08-05T22:29:53Z</updated>
      <author>
            <name>jmorrison</name>
            <email>jmorriso@thenonist.com</email>
            <uri>http://www.thenonist.com</uri>      </author>

      <category term="annex"
        scheme="http://thenonist.com/index.php/annex/permalink/C63/"
        label="annex" />
      <content type="html"><![CDATA[<p><img src="http://thenonist.com/images/uploads/hystria.jpg" width="500" height="377" />
</p> <p>"I have named her Augustine.&#8221;
</p>
<p>
&#8220;Named a lunatic after a saint! Well, perhaps they are much the same. The idiot, the mystic…&#8221;
</p>
<p>
&#8220;She is not an idiot.&#8221;
</p>
<p>
She listens at the door, biting her fingernails. She needs to know what they want from her so that she can perform when asked. She has to know how mad she’s supposed to be. Satisfied, she goes back to her room where she dreams of blood and fire. Faces hidden behind shrouds. Dead men. 
</p>
<p>
-Helen Kitson, from <a href="http://www.helenkitson.com/charcot.htm"><i>Charcot and the Saint.</i></a>
</p>]]></content></entry>

    <entry>
      <title>Live Loathe Laugh Tee</title>
      <link rel="alternate" type="text/html" href="http://thenonist.com/index.php/annex/permalink/live_loathe_laugh_tee/" />
      <id>tag:thenonist.com,2008:index.php/annex/index/12.3765</id>
      <published>2008-08-05T15:29:00Z</published>
      <updated>2008-08-05T15:37:19Z</updated>
      <author>
            <name>jmorrison</name>
            <email>jmorriso@thenonist.com</email>
            <uri>http://www.thenonist.com</uri>      </author>

      <category term="Shop"
        scheme="http://thenonist.com/index.php/annex/permalink/C64/"
        label="Shop" />
      <content type="html"><![CDATA[<p><img src="http://thenonist.com/images/uploads/LLLtee.jpg" width="500" height="509" />
</p> <p><span class="grey"><b>Live Loathe laugh</b></span>. No wordy highfalutin&#8217; explanations needed for this tee yall. Here we have good ol&#8217; fashioned proverbial words to live by. Passed down through generations of unsatisfied, pissed-off, cynics and stoics and realists and sarcastic nay-sayers its folksy wisdom is as relevant today as the day it was coined. Digitally hand-stitched by yours truly right here in the good ol&#8217; N.Y. of A. this traditional faux-crochet design will bring a down-home charm to even the most critical, world-weary, annoyed, judgmental, hysterically vitriolic curmudgeon. Hooray. 
</p>
<p>
See all your options for this tee <a href="http://www.zazzle.com/live_loathe_laugh_shirt-235575679306265002">here</a> or see all the Nonist&#8217;s offerings <a href="http://www.zazzle.com/thenonist*">here</a>. See below for a closer look at the design&#8230; 
</p>]]></content></entry>

    <entry>
      <title>Hemispatial Neglect</title>
      <link rel="alternate" type="text/html" href="http://thenonist.com/index.php/annex/permalink/hemispatial_neglect/" />
      <id>tag:thenonist.com,2008:index.php/annex/index/12.3763</id>
      <published>2008-08-03T16:50:00Z</published>
      <updated>2008-08-03T17:14:37Z</updated>
      <author>
            <name>jmorrison</name>
            <email>jmorriso@thenonist.com</email>
            <uri>http://www.thenonist.com</uri>      </author>

      <category term="annex"
        scheme="http://thenonist.com/index.php/annex/permalink/C63/"
        label="annex" />
      <content type="html"><![CDATA[<p><img src="http://thenonist.com/images/uploads/heminglct.jpg" width="497" height="294" />
</p> <p>Above we see a control image (a) and the same image drawn by a patent suffering from <a href="http://en.wikipedia.org/wiki/Hemispatial_neglect">hemispacial neglect</a> (b), a condition in which <a href="http://thenonist.com/images/uploads/hemineglct2.jpg" onclick="window.open('http://thenonist.com/images/uploads/hemineglct2.jpg','popup','width=515,height=386,scrollbars=no,resizable=yes,toolbar=no,directories=no,location=no,menubar=no,status=no,left=100,top=0'); return false">awareness of an entire side of space is lost</a>. 
</p>
<p>
<div class="blockquoteannex"><span class="quote">Quote: </span>Hemineglect, also known as unilateral neglect, hemispatial neglect or spatial neglect, is is a common and disabling condition following brain damage in which patients fail to be aware of items to one side of space. The deficit may be so profound that patients are unaware of large objects, even people, towards their neglected or <i>contralesional</i> side. They may eat from only one side of a plate, write on one side of a page, shave or make-up only the non-neglected or <i>ipsilesional</i> side of their face. Many patients are often also unaware they have a deficit. - <a href="http://www.scholarpedia.org/article/Hemineglect">Masud Husain, Scholarpedia.</a></div>
</p>
<p>
Though it can affect both hemispheres and can manifest as unawareness of sounds, smells, tactile stimuli, and even memories, dreams and hallucinations, the most common form is left-sided &#8220;visual neglect,&#8221; as seen in the cat example above, in which sufferers are rendered blind to everything appearing to their left.&nbsp; Fascinating. Also of note is the extremely odd way in which those suffering this most common form of the condition perceive ordinary television screens&#8230; see below. 
<br />

</p>]]></content></entry>


</feed>
